Sweeney Todd: The Demon Barber of Fleet Street: Something's Missing, the Revenge

One of the American musical theater’s most controversial shows is Stephen Sondheim’s “Sweeney Todd, The Demon Barber of Fleet Street.â€�  

   Gory, yes, but ugliness aside, this is a tale that explores hatred, obsession, revenge, and a search for love.  

   Barrington Stage Company has put together a compelling but flawed production of this American classic.

   We learn Todd had been imprisoned on false charges by Judge Turpin and Beadle Branford, he escapes from a penal colony and returns to London to avenge himself and to find his wife and daughter. There he enters into a partnership with the venal Mrs. Lovett to use his victims for her meat pie business.

   The subject is tough, but the play is all about Sondheim’s music.  The score is laced with haunting songs such as “Pretty Womenâ€� and “Not While I’m Around,â€� a gem of a comic piece “A Little Priest,â€� and soaring melodies including “The Barber and His Wifeâ€� “City on Fireâ€� and the eerily recurring motif “The Ballad of Sweeney Todd.â€�  The music heightens the emotional climaxes of the story. Vocally, the cast reaches those climaxes, but there is a core element missing with the leads.

   Jeff McCarthy, who has performed superbly in BSC’s “Mack and Mabelâ€� and “Folliesâ€� is a fine singer and actor, but his characterization is incomplete. McCarthy and director Julianne Boyd allow a  softness in him. Todd has an obsession: to see the death of Turpin and Branford and to rescue his family. After 15 years of incarceration and desperation, there is no light in his life.  Even when he and Harriet Harris as Mrs. Lovett sing the witty “A Little Priest,â€� there should be a suggestion of his need for revenge. Without this passion Todd lacks the fire that obsesses him and the plot meanders.

   Harris brings a nicely tuned comic element to Mrs. Lovett’s aging coquetry. However, she does not carry the underlying evil that complements Todd’s search for revenge. Harris also uses a thick accent which blurs her articulation in both dialogue and lyrics.

   Boyd misses the driving forces of this plot: the obsessive nature of Todd and Lovett, and the destructive arrogance of Turpin and Branford.     The eight-piece orchestra, however, conducted by Darren Cohen is outstanding. Flawed though the production may be, it’s enough to hear the magnificent score and to marvel at one of the American theater’s finest musical dramas.

“Sweeney Toddâ€� runs at Barrington  Stage in Pittsfield, MA, through July 17.  For tickets call 413-236-8888.

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