A New Spot for Art . . . . . . Opens in Wassaic This Weekend

She is young (aren’t they all), dressed in black (aren’t they all), welcoming visitors to a New York City art gallery’s new space, where she works days.  But she is an artist, too, and ambitious (aren’t they all) and— maybe, hopefully — on her way.

   Sarah Hardesty is one of 80 artists showing in this summer’s Wassaic Project, which opens this Saturday, June 26, at Maxon Mills in Wassaic, N Y.  Last year she took pieces of wood found at the Mills and suspended them in a complex web of string. The work was both startling and a little ominous, with the once living wood caught forever in an intricately dangerous trap.  And it led to a commission to create an installation at Elmo, a restaurant in Manhattan’s art district.

    But the Project is about more than helping artists build their careers.  Located in an enormous, renovated wooden grain elevator with a soaring 105-foot tower and gallery-like interior spaces and in the neighboring livestock auction barn, the Project provides perhaps the most unusual venue for contemporary art in the country. 

    Architect and developer Tony Zunino and his business partner, Robert Berry, bought the space as a possible restaurant or brewery.  But after renovation and with no investors in sight, Zunino offered the whole shebang to his daughter, Bowie, and several of her friends — all East Village artists in their 20s — as an exhibition site for at least a few years.

   What they got is a rustic complex, still redolent of wood and dusty grain, divided into large halls and small, individual work areas. Early on, the founding group decided to include visual and performance art as well as music in the Project.  And they wanted to include artists from around the country and abroad, although many would come from New York City’s vibrant scene.

     They decided the Project would be “artist-managed, concentrate on community engagement with art and facilitate artists and participants to exhibit, discuss and connect with art, the community and the unique site....â€�  (Fortunately, the Project is a lot more fun than that turgid “mission statementâ€�.  But maybe more artists and gallery owners go to business school these days than I imagined.)

     In the end they planned a nearly two-month, themed and guest-curated show that would end with a three-day, unthemed “festivalâ€�.  This year will feature 80 artists and more than 20 bands in a show called “Bestiaryâ€�(a medieval collection of fables and moral lessons built around animals.) 

     Rob Macinnis, a young Canadian photographer, for example will show his charming, whimsical yet substantial pictures of animals now haughty, now seductive; now pensive, now merry.  Our friend Sarah Hardesty will be back with three small acrylic and ink on board pieces of contorted, insect-like creatures.

     A 2010 addition to the Project is a residency program that will bring 20 artists to live in Wassaic and work in spaces at the Mills during the summer.  Their work will be featured in the closing, three-day festival August 13 to 15, although a few will also show in the summer-long “Bestiaryâ€� exhibition.

     “Bestiaryâ€� previews at Maxon Mills with a paid benefit for the Wassaic Project on Sat., June 24, from 4 to 8  p.m.  Call Eve Biddle, one of the founders, at (917) 748-4801for information, although it may be sold out.

      The show continues daily and weekends through July 25.

       Maxon Mills is at 37 Furnace Bank Road in Wassaic.

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