Saluting Mendelssohn, Introducing Franck

Felix Navidad, or words to that effect, should be the cry this week as the great German composer Felix Mendelssohn turns 200. Born Feb. 3, 1809, in Hamburg, Mendelssohn was a prodigy both as a composer and pianist, and some of his finest works were written in his teens, including string symphonies and the extraordinary Octet for Strings. He composed abundantly for piano, chamber ensembles, voice, chorus and orchestra, including the famous â€œFingal’s Cave Overture,†the incidental music to â€œA Midsummer Night’s Dream†(who doesn’t know the “Wedding March†— not “Here Comes the Bride,†that, for ten points, is Wagner; it’s the other one), plus many symphonies including the “Italian†Symphony, and perhaps his greatest work, the oratorio, â€œElijah,†which is rarely performed in its entirety. You can hear the Boston Symphony Orchestra and Tanglewood Festival Chorus perform it in Boston’s Symphony Hall. Next year.

For those who would like an earlier slice of birthday cake, there are some closer time/space possibilities, starting with two chamber music programs from Close Encounters with Music at the Mahaiwe Performing Arts Center in Great Barrington. The first of these, on Saturday, Feb. 21, at 8 p.m., will feature the Trio in C minor, a set of violin and piano romances by Clara Schumann; Chopin’s darkly romantic Cello Sonata, and American premières of two pieces by Eduard Franck (Note: not César). The musicians include James Tocco, piano; Shmuel Ashkenasi, violin; and Close Encounter’s artistic director Yehuda Hanani, cello.

A student and colleague of Mendelssohn’s, Franck is virtually unknown today (just the situation Bach’s music was in when Mendelssohn brought it back to public attention a hundred years after the master’s death). In addition to his virtuoso pianism and life as a composer, Franck helped build the very fine conservatories of Cologne and Berne. And yet, until very recently, he had been written out of music history, even as a footnote to the legacy of his legendary friends.

 According to Hanani, Franck’s music deepens our understanding of the zeitgeist, the spirit of the time that led to Brahms and Strauss, and the chromaticism that was to follow.

  â€œThe idea for these two evenings is to recreate the intimate atmosphere of the 19th-century salon, of which Close Encounters With Music is a modern-day version,†Hanani says.

Concert No. 2 is on May 30. Also note a discussion about Mendelssohn’s sister Fanny on March 15 at the Lenox Atheneum with composer Judith Lang Zaimont. For tickets and information on these and other Close Encounters events, call 413-528-0911.

And for choral fans, Crescendo, directed by Christine Gevert, will present a spring bouquet of Mendelssohn, along with music by the composer’s sister Fanny, and the final chorus from Bach’s St. Matthew Passion. Dates: March 21 in Great Barrington and March 22 at Trinity Church in Lime Rock. More details to come.

Check out my blog at sosin.blogspot.com

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