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Art

Expressing the Unsaid

The Art Scene

Long ago I taught mostly Mexican-American high school students in San Antonio, Texas. With reading levels stuck around seventh or eighth grade, they were bored by history and English classes. But after my first year I learned what they liked and were good at: art.

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Minimal Work That Conveys Great Substance

 
Leon Graham reviews Sam Posey’s recent paintings of women, on exhibit at Ober Gallery 
 
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Minimal Work That Conveys Great Substance

The Art Scene

 

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And Elsewhere in the Art World . . .

Works by New Hartford resident Bryan Nash Gill — tree sections and relief prints from them — are on view at The Hotchkiss School’s Tremaine Gallery through May 5. For information, call 860-435-3663.

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Out of the Art House, Into the Movie House

Art Scene

This first in a series of documentaries, “Exhibition: Manet: Portraying Life,” brings major current museum exhibits to the big screen. 
This inaugural film takes moviegoers to the Royal Academy of Arts in London for a show of portraits by French 19th-century painter Edouard Manet.
Directors Phil Grabsky and Ben Harding have recruited “art historian and TV broadcaster” Tim Marlow to act as tour guide, and he strikes a mostly appropriate note of reverence for the art, with just a touch of overeager nerdiness. 

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Photographs on View, From Near and Far

The Art Scene

Delicate light, soft textures and a meditative mood connect the diverse photographs on view at the Gallery Arts Guild in Lakeville. The show, called Poetry in Motion, represents the work of local photographers — among them Jonathan Doster and Marsden Epworth (editor of Compass) and young emerging artists like William Clune. Every artist in the show has a distinct point of view and arresting images.

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Imaginative, Compelling Art

The Art Scene

Sohn Fine Art’s second annual juried photography exhibition has something for everyone, even a chicken foot.
The foot, exsanguinated and scaled and wrinkled, lies on thick folds of white cloth or toweling, its claws emphasized against the pale background. Anne Mourier-Defalco has made something ominous and frightening. Equally ominous I think is Gene Elling’s “Industrial Lullaby,” with its pristine baby crib in the midst of a dark, dirty auto mechanics garage where a Volkswagen sits brooding on a lift.

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Experiencing Art The Barnes Way

The Art Scene

The Barnes Foundation, that incomparable collection of paintings, artifacts, furniture and all sorts of hand-crafted objects, moved to its new and controversial home in central Philadelphia in May 2012. It left behind the Merion mansion Albert C. Barnes, physician and self-made millionaire, built to house his collection and shield it from the art establishment he hated. The art now resides within a tasteful, rectilinear building designed by Tod Williams and Billie Tsien.

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Matisse at the Met: Hurry, Sunday is the last day

The Art Scene

The masterly, ravishing show “Matisse: In Search of True Painting,” winding up at the Metropolitan Museum of Art in New York City is overwhelming in a good way. With only 49 works arranged chronologically and in groupings ­— mostly pairs or trios — we can follow Matisse’s growth from imitator to singular master. In two paintings of the same subject, he can master a style, impressionism for example, in one and then leave that technique behind in the next, both in the same year.

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Fascinating Art at Sharon Library

David James Valyou’s show at Sharon’s Hotchkiss Library comes into focus with extended viewing. His work is varied in medium, style and subject, and much of it requires looking until a click of recognition occurs. Suddenly you understand.
Valyou is a fascinating artist, both serious and whimsical in various pieces, and much of his best work is traditional, even if it is painted on found wood and includes objects that inform both subject and shape.

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